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Legalizing opioids may give Americans greater freedom over their decision-making, but at what cost. One painful aspect of the public debates over the opioid-addiction crisis is how much they mirror the arguments that arise from personal addiction crises. If you‚ve ever had a loved one struggle with drugs ‚ in my case, my late brother, Josh ‚ the national exercise in guilt-driven blame-shifting and finger-pointing, combined with flights of sanctimony and ideological righteousness, has a familiar echo. The difference between the public arguing and the personal agonizing is that, at the national level, we can afford our abstractions.

The truth lies in between. Pretty much everyone who has spent time smoking marijuana knows at least one diehard stoner. The guy whose eyes are always red, the girl who doesn‚t use the term ‚wake and bake‚ ironically, the person who just can‚t seem to ever get it together.

The Glass Menagerie ‚ The Glass Menagerie is a five-character memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong elements, featuring characters based on Williams himself, his histrionic mother. In writing the play, Williams drew on a short story. The play premiered in Chicago in 1944, the Glass Menagerie was Williamss first successful play, he went on to become one of Americas most highly regarded playwrights.]